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Spaightwood Galleries
Dutch Old Master Drawings
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This show was prompted by our acquisition over the past few years of a number of old master drawings (including works by Bernaert van Orley, Lucas van Leyden (a hand-colored impression of one of his large engravings, Golgotha), Hans Sebald Beham and studio, Annibale Carracci, Federico Zuccaro, Pier Francesco Mola, Paolo di Matteis, Jan Baptiste de Wael, and works by contemporary followers of Veronese, Domenichino, and Rembrandt (Pieter de With, attributed). Some of these works appear to be finished drawings, others attempts to conceptualize an artistic problem to be solved, still others models for members of the master's workshop to execute in whole or in part under the master's supervision.
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Dutch School (late 15th-early 16th century, St. Peter freed from chains by an angel. Pen and wash. This is a leaf from a manuscrupt book of Saints' Lives (possibly the Legenda Aurea or Golden Legend) commissioned by someone conservative enough not to trust such newfangled inventions as printing presses (clearly they will never last), wealthy enough to pay for a hand-made written and illustrated book, and desirous of something inspirational: the two leaves we have both feature sinners rescued by divine intervention. Image size: 120x143mm. Price: $7500.
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Dutch School (late 15th-early 16th century, Mary Magdalen raised to heaven by angels. Pen and wash. This is a leaf from a manuscrupt book of Saints' Lives (possibly the Legenda Aurea or Golden Legend) commissioned by someone conservative enough not to trust such newfangled inventions as printing presses (clearly they will never last), wealthy enough to pay for a hand-made written and illustrated book, and desirous of something inspirational: the two leaves we have both feature sinners rescued by divine intervention. Image size:120x143mm. Price: $6500.
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Dutch School (late 15th-early 16th century, St. Peter freed from chains by an angel. Pen and wash. This is a leaf from a manuscrupt book of Saints' Lives (possibly the Legenda Aurea or Golden Legend) commissioned by someone conservative enough not to trust such newfangled inventions as printing presses (clearly they will never last), wealthy enough to pay for a hand-made written and illustrated book, and desirous of something inspirational: the two leaves we have both feature sinners rescued by divine intervention. Image size:120x143mm. Price: $7500.
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Dutch School (late 15th-early 16th century, Mary Magdalen raised to heaven by angels. Pen and wash. This is a leaf from a manuscrupt book of Saints' Lives (possibly the Legenda Aurea or Golden Legend) commissioned by someone conservative enough not to trust such newfangled inventions as printing presses (clearly they will never last), wealthy enough to pay for a hand-made written and illustrated book, and desirous of something inspirational: the two leaves we have both feature sinners rescued by divine intervention. Image size:120x143mm. Price: $6500.
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Bernaert van Orley (Netherlandish, 1492-1542), Susannah and the elders. Pen and sepia ink drawing on laid paper without a watermark, c. 1530. Van Orley is an important Netherlandish master whose works are in the collections of most major national museums, including the National Gallery of Art in both Washington and London, the Louvre, the Metroplitan Museum of Art, and the Worcester MA Art Museum. He went to Rome with the Dutch Pope Adrian after the death of Leo X and returned home after the Pope was poisoned. He provided a first-hand witness to the works of the High Renaissance in Rome. Image size: 276x403mm. Price: $12,500.
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Lucas van Leyden (Dutch, 1494-1533), Golgotha (B. 74, L. 99), Original etching with later hand coloring, 1517. One of Lucas' largest prints, here in a very rare and beautiful exemplar. Lucas is considered the finest Netherlandish printmaker of the first half of the 16th century both by his contemporaries and by modern art historian. It is possible that many prints were sold and then handcolored by local artists for people who could not afford a painting. Image size: 276x403mm. Price: $12,500.
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Dutch School (later 16th century), Bearded man with fantastic helmet. Pen and brown ink. This drawing features a wonderful Mannerist helmet adorned with two captives holding up the feathers on the crest of the helmet and calls to mind Prince Arthur's helmet, which features a crouching dragon underneath of a crest of "discolored hairs dancing diversely" in Book I of Edmund Spenser's Faerie Queene (1590). Like a series of later etchings by Wenzel Hollar after Parmigianino (see Jacquekine Burgers, Wenceslaus Hollar: Seventeenth-Century Prints from the Museum Boymans-van Beuningen Museum, Rotterdam [Alexandria VA: Art Services International, 1994], plates 97 a-97c), this drawing may have been inspired by an Italian model inspired by descriptions like those in Ariosto's Orlando Furioso; since the Ariosto text itself spawned many literary descendants, it is also popssible that the only model may have been the imagination of the anonymous artist. Laid down on a sheet of tinted laid paper with a high crown watermark and an annotation on the verso: "Coll: Piekostellit Braundegee." Image size: 127x95mm. Price: $7500.
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Follower of Hendrik Goltzius (Dutch, 1558-1617), Sarah overhearing the angels announce to Abraham that she is going to give birth. Red chalk on thin laid paper. This splendid example of late 16th-century Dutch Mannerist style is a drawing based upon Jacob Matham's engraving after his step-father Hendrik Goltzius' drawing for the series, Wives of the Patriarchs (c. 1590). The drawing is a very close copy of Matham's engraving (B. 248) and was probably made by an artist wanting to preserve the composition for later use. The drawing has been mounted on a leaf for an old collector's album and has ruled decorative borders surrounding the drawing. Image size: 240x165mm. Price: $8750.
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Philipp Sadeler (Venice, c. 1600- Passau 1650). John the Baptist. Pen and black ink and brown and gray wash on thin cream laid paper, initialed PS and dated 1644 lower left. Collector's mark (see below): indistinct crowned coat of arms on verso. Philipp was part of the Sadeler Dynasaty of engravers and print publishers during the 16th and 17th centuries. He was the son of Raphael Sadeler I, the nephew of Jan Sadeler, and the cousin of Aegidius Sadeler, Imperial Printmaker to Emperor Rudolph II. This drawing combines the late 16th-century Dutch Mannerist style with the muscular style of Michelangelo mediated through Tintoretto. Image size: 240x165mm. Price: $13,500.
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Rembrandt School (mid-17th century, Landscape with farmworker, windmill in the background. Pen and brown ink on laid paper, c. 1660. A very similar piece is shown in Drawings of the Rembrandt School, vol. 10, p. 5458, where it is attributed to Pieter de With, a painter and etcher active during the 1660s. Its similarites to a number of drawings by Rembrandt (e.g. Slive, Dover edition, numbers 62, 63, 73, 80, 126-27, 477, and 515, are apparent. Image size:159x242mm. Price: $7850.
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Rembrandt School (mid-17th century), The adoration of the Magi. Pen and brown ink on laid paper. This drawing is the work of someone familiar with Rembrandt's loose fine-point drawings. See Slive, The Drawings of Rembrandt, 3, 18, 27, 77, and 224). Image size: 172x146mm. Price: $4750.
The drawing itself is not so varicolored as the image to the left and the apparently orange discolorations are far more green and blend in much better with the rest of the sheet.
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Spaightwood Galleries, Inc.
To purchase, call us at 1-800-809-3343 (508-529-2511 in Upton MA & vicinity) or send an email to sptwd@verizon.net. We accept AmericanExpress, DiscoverCard, MasterCard, and Visa.
For directions and visiting information, please call. We are, of course, always available over the web and by telephone (see above for contact information). Click the following for links to past shows and artists. For a visual tour of the gallery, please click here. For information about Andy Weiner and Sonja Hansard-Weiner, please click here. For a list of special offers currently available, see Specials.
Visiting hours: Saturday and Sunday noon to six pm and other times by arrangement. Please call to confirm your visit. Browsers and guests are welcome.
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