Repliquer I (Galfetti 819). Original etching with carborundum, 1981. Repliquer was a livre d'artiste with a text by Jean Daive and 4 etchings by Antoni Tàpies. It was issued in an edition of 200 copies containing the four etchings, one of them signed and the other three unsigned, on Arches paper measuring 285x204mm. The first 50 were accompanied by a separate portfolio containing the four etchings with large margins, signed and numbered, on Arches paper measuring 401x308mm. All of the etchings were printed by Atelier Morsang, Paris, and published by Galerie Maeght, Paris. There were also 20 HC portfolios, but it is not clear if they include the deluxe suite. All of the books were signed by the author and the artist on the justification page (see below). Because the etchings in the regular edition of 200 were printed on smaller paper, they have smaller margins or none at all. Through the use of the carborundum, Tàpies has achieved a rich three-dimensional surface for these etchings. Image size: 202x168mm. Paper size for the deluxe signed and numbered suite: 401x308mm. Price: Please call or email for current pricing information.

Repliquer I (Galfetti 819). Original etching with carborundum, 1981. Repliquer was a livre d'artiste with a text by Jean Daive and 4 etchings by Antoni Tàpies. It was issued in an edition of 200 copies containing the four etchings, one of them signed and the other three unsigned, on Arches paper measuring 285x204mm. The first 50 were accompanied by a separate portfolio containing the four etchings with large margins, signed and numbered, on Arches paper measuring 401x308mm. All of the etchings were printed by Atelier Morsang, Paris, and published by Galerie Maeght, Paris. There were also 20 HC portfolios, but it is not clear if they include the deluxe suite. All of the books were signed by the author and the artist on the justification page (see below). Because the etchings in the regular edition of 200 were printed on smaller paper, they have smaller margins or none at all. Through the use of the carborundum, Tàpies has achieved a rich three-dimensional surface for these etchings. Image size: 202x168mm. Paper size for the regular edition on Arches: 285x204mm. Price: Please call or email for current pricing information.

Repliquer II (Galfetti 820). Original etching with carborundum, 1981. 50 signed and numbered impressions (of which ours is 8/50) plus plus 200 unsigned impressions of an earlier state without margins for the deluxe portfolio Repliquer. Through the use of the carborundum, Tàpies has achieved a deeply three-dimensional surface on this etching. Image size: 195x196mm. Paper size for the deluxe signed and numbered suite: 401x308mm. Price: Please call or email for current pricing information.

Repliquer II (Galfetti 820). Original etching with carborundum, 1981. 50 signed and numbered impressions (of which ours is 8/50) plus plus 200 unsigned impressions of an earlier state without margins for the deluxe portfolio Repliquer. Through the use of the carborundum, Tàpies has achieved a deeply three-dimensional surface on this etching. Image size: 195x196mm. Paper size for the regular edition on Arches: 285x204mm. Price: Please call or email for current pricing information.

Repliquer III (Galfetti 822). Original etching with carborundum, 1981. 50 signed and numbered impressions (of which ours is 8/50) plus 200 unsigned impressions of an earlier state without margins for the deluxe portfolio Repliquer. Through the use of the carborundum, Tàpies has achieved a three-dimensional surface on this etching. Image size: 294x199mm. Paper size for the deluxe signed and numbered suite: 401x308mm. Price: Please call or email for current pricing information.

Repliquer III (Galfetti 822). Original etching with carborundum, 1981. 50 signed and numbered impressions (of which ours is 8/50) plus 200 unsigned impressions of an earlier state without margins for the deluxe portfolio Repliquer. Through the use of the carborundum, Tàpies has achieved a three-dimensional surface on this etching. Image size: 294x199mm. Paper size for the regular edition on Arches: 285x204mm. Price: Please call or email for current pricing information.

Repliquer IV (Galfetti 823). Original etching with carborundum, 1981. 50 signed and numbered impressions (of which ours is 8/50) plus plus 200 unsigned impressions of an earlier state without margins for the deluxe portfolio Repliquer. Through the use of the carborundum, Tàpies has achieved a rich three-dimensional surface on this etching. Image size: 280x206mm. Paper size for the deluxe signed and numbered suite: 401x308mm. Price: Please call or email for current pricing information.

Repliquer IV (Galfetti 823). Original etching with carborundum, 1981. 50 signed and numbered impressions (of which ours is 8/50) plus plus 200 unsigned impressions of an earlier state without margins for the deluxe portfolio Repliquer. Through the use of the carborundum, Tàpies has achieved a rich three-dimensional surface on this etching. Image size: 280x206mm. Paper size for the regular edition on Arches: 285x204mm. Price: Please call or email for current pricing information.

Petite Erciture Marron I (Galfetti 937). Original color lithograph, 1983. 150 signed and numbered impressions (of which ours is n. 44/150) on Arches paper measuring 490x355mm printed by Atelier Lelong and published by Galerie Lelong, Paris. There was also a separate edition published in the deluxe art review, Repères: Cahiers d'art contemporain, n. 7. The format of the catalogue was 315x220mm. Image size: 322x221mm. Price: Please call or email for current pricing information

Petite Erciture Marron I (Galfetti 937). Original color lithograph, 1983. 150 signed and numbered impressions on Arches paper measuring 490x355mm printed by Atelier Lelong and published by Galerie Lelong, Paris. There was also a separate edition with no margins loosely inserted in the deluxe art review, Repères: Cahiers d'art contemporain, n. 7. The format of the catalogue was 315x220mm. Image size: 311x212mm. Price: Please call or email for current pricing information.

Enveloppe rouge (Galfetti 947). Original color etching, 1984. 75 signed and numbered impressions on Arches paper measuring 300x500mm printed by Joan Barbara in Barcelona and published by GalerieLelong, Paris. There were also 7 signed impressions hors commerce signed and numbered I/VII-VII/VII and several unnumbered HC impressions. Image size: 100x175mm. Price: Please call or email for current pricing information.

Seins / breasts (Galfetti 955). Original color etching, 1984. 75 signed and numbered impressions on Arches paper measuring 300x500mm printed by Joan Barbara in Barcelona and published by Galerie Lelong, Paris. There were also 7 signed impressions hors commerce signed and numbered I/VII-VII/VII and several unnumbered HC impressions. This work was included in the Tàpies retrospective held in Milan at the Palazzo Reale in 1985. One of Tàpies' rare figurative abstractions. Image size: 100x175mm. Price: Please call or email for current pricing information.

Coeur et fleche / Heart and Arrow (G. 1072). Original color lithograph, 1985. 75 signed impressions. This lithograph served as a Daniel Lelong's New Year's Greeting Card to his very closest friends and the best customers of Galerie Lelong, Paris. Our is a pencil-signed impression. Image size: 180x231mm. Price: SOLD.

Equation III. Original color etching and aquatint, 1987. Tàpies and the poet, art critic, and currently director of Galerie Lelong, Jean Frémon collaborated on Equation, a deluxe artist's book containing 5 original intaglios by Tàpies. The intaglios were printed by Joan Barbara in Barcelona and published by Daniel Lelong Editeur in Paris. Equation was issued in an edition of 125 on Arches paper measuring 310x245mm, in which the first and last prints were individually signed by Tàpies. The first 50 impressions were accompanied by a suite of the intaglios with very large margins signed and numbered by Tàpies. All of the books were signed by Tàpies and Frémon. Our impression comes from n. 53. From at least Plato on the skull has served as a reminder of human mortality and appears often in art, especially in connection with St. Jerome and Mary Magdalene, as well as in literature (where would Hamlet be without Yorick's skull?). Click here for a photo of the justification page. Image size: 304x235mm. Price: Please call or email for current pricing information.

Untitled (for MoMA). Original color lithograph, 1991. In 1991, on the occasion of the Museum of Modern Art's retrospective of Tàpies prints, the Museum published Antoni Tàpies in Print to accompany the exhibition with a text by Deborah Wye, a checklist of the works in the show, and a bibliography of Tàpies' artist's books. The first 150 copies were a special edition that came with an original Tàpies lithograph loosely inserted. In addition, there were also 10 artist's proofs and 10 HC impressions, five of which (numbered H.C. 1/5-H.C. 5/5) were for the Museum of Modern Art. Our is a pencil-signed impression HC impression numbered H.C. 2/5. In addition to be shown at MoMA, the show also travelled to Centro Culturel / Art Contemporaneo (Mexico City), Long Beach Museum of Art (Long Beach, CA), The Meadows Museum (SMU University, Dallas TX), The Art Museum, Florida International Museum (Miami Beach), The Detroit Institute of Arts, and the Museo de Arte Contemporaneo (Caracas, Venezuela). Image size: 240x263mm. Price: Please call or email for current pricing information.

Spaightwood Galleries, Inc.

To purchase, call us at 1-800-809-3343 (1-508-529-2511 in Upton MA & vicinity) or send an email to spaightwood@gmail.com.
We accept AmericanExpress, DiscoverCard, MasterCard, and Visa.
We also accept wire transfers and paypal.

For directions and visiting information, please call. We are, of course, always available over the web and by telephone (see above for contact information). Click the following for links to past shows and artists. For a visual tour of the gallery, please click here. For information about Andy Weiner and Sonja Hansard-Weiner, please click here. For a list of special offers currently available, see Specials.

All works are sold with an unconditional guarantee of authenticity (as described in our website listing).

Go back to the top of this page.

Visiting hours: Saturday 10:00 am to 5:00 pm and Sunday noon to 6:00 pm and other times by arrangement.
Please call to confirm your visit. Browsers and guests are welcome.