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Betye Saar (American, b. 1926): The Long Memory

Jennifer Bartlett, Lynda Benglis, Isabel Bishop, Louise Bourgeois, Jonna Rae Brinkman, Louisa Chase, Chryssa, Sue Coe
Susan Crile, Lesley Dill, Helen Frankenthaler, Jane Freilicher, Nancy Graves, Harmony Hammond, Judy Chicago,
Anita Jung, Elaine de Kooning, Joyce Kozloff, Lee Krasner, Karen Kunc, Ellen Lanyon, Georgia Marsh, Suzanne McClelland,
Phyllis McGibbon, Joan Mitchell, Elizabeth Murray, Judith Murray, Louise Nevelson, Judy Pfaff,
Jaune Quick-to-see Smith, Joan Root, Susan Rothenberg, Betye Saar, Niki de St. Phalle, Hollis Sigler, Kiki Smith,
Joan Snyder, Pat Steir, May Stevens, Dorothea Tanning, and Emmi Whitehorse

Josef Albers / Richard Anuszkiewicz / Charles Arnoldi / Leonard Baskin / Jack Beal / Ed Baynard / Norman Bluhm / Aaron Bohrod
Richard Bosman /James Brown / Alexander Calder / Warrington Colescott / Christo / George Cramer / Allan D'Arcangelo
Willem de Kooning / Richard Diebenkorn /Jim Dine / Sam Francis / Sam Gilliam / Adolph Gottlieb / Philip Guston
John Himmelfarb / / Robert Indiana / Paul Jenkins / Jasper Johns / Allen Jones / Lester Johnson / Alex Katz / R. B. Kitaj
Ellsworth Kelly/ Nicholas Krushenick / Jacob Lawrence / Roy Lichtenstein / Richard Lindner / Manel Llèdos
Robert Motherwell / Reuben Nakian / Barnet Newman / Claes Oldenberg / Jules Olitski / Philip Pearlstein / Mel Ramos
Robert Rauschenberg / Don Reitz / Larry Rivers / James Rosenquist / George Segal / Alan Shields / Steven Sorman / Robert Stackhouse
Frank Stella / Carol Summers / Wayne Taylor / William (Bill) Weege / John Wesley / Tom Wesselman
Jack Youngerman / Adja Yunkers

Betye Saar (American, b. 1926), The Long Memory. Original 18-color screenprint pubished by the National Museum of Women in the Arts, 1998. 100 signed and numbered impressions on Somerset UK printed at Grsham Studio Ltd. in Cambridge, England. Saar's early work attempted to destroy rascist stereotypes of African Americans; her more recent work explores her "deep-felt interest in the occult, astrology, and African consciousness." According to Yolanda M. Lopez and Moira Roth in The Power of Feminist Art, edited by Norma Broude & Mary D. Garrard (Abrams, 1994), "Over the past twenty years, Saar . . . [has] traversed her mystic worlds in which she weaves together interests in the occult, family, and black culture and history" (146). She has been called "one of the most visionary artists to emerge in the last forty years" (Robin D. G. Kelly, Freedom Dreams and is the subject of James Christen Steward et al, Betye Saar: Extending the Frozen Moment [Ann Arbor: University of Michigan Museum of Art, 2005]). Image size: 370x296mm. Price: Please call or email for current pricing information.

Also available: James Christen Steward et al, Betye Saar: Extending the Frozen Moment (Berkeley: University of California Press, 2005). Condition: mint in publisher's shrink wrap: publisher's list: Please call or email for current pricing information.00; our price: Please call or email for current pricing information.00 (free shipping).

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