Siegfried Schott was an active participant in the circle that produced Kundung: Eine zeitschrift fur Kunst, a deluxe art review that was edited by Rosa Schapire and Wilhelm Niemeyer and that was designed by Karl Schmidt-Rottluff, who designed all of the titles and executed woodcuts for some of the poetry published in this Magazine for Art. Rosa Schapire was a close friend of Schmidt-Rottluff and produced the standard catalogue raisonne of his prints. She was also a well-known art historian whose specialty was the artists of Die Brucke and corresponded with Kirchner, Heckel, and especially Schmidt-Rottluff. Niemayer was also an art historian and a supporter of younger artists. Schott contributed 6 woodcuts (one of which—his masterpiece—is illustrated below) and a poem. Later in life, Schott achieved prominence as an Egyptologist, researching the self-representations of Egyptian kings and translating several volumes of ancient Egyptian love poetry. He was the subject of a festschrift on the occasion of his 70th birthday.

Selected Bibliography: Bruce Davis, German Expressionist Prints and Drawings: The Robert Gore Rifkind Center for German Expressionist Studies (Los Angeles: Los Angeles County Museum of Art / Prestel, 1989), items 2593-2598; Orrel P. Reed Jr., German Expressionist Art: The Robert Gore Rifkind Collection—Prints, Drawings, Illustrated Books, Periodicals, Posters (Los Angeles: Frederick S. Wight Art Gallery, University of California, Los Angeles, 1977), p. 226.

Theatre (Davis-Riffkind 2597). Original hand-watercolored woodcut, 1921. Edition c. 200 unsigned impressions on wove paper. Ours is a signed impression on Japon paper published in Kundung vol. 1, n. 7-8 in 1921. Signed lower left in pencil. A large, bright, beautiful work by one of the lesser-known German Expressionist printmakers. Image size: 299x245mm. Price: SOLD.

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