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Spaightwood Galleries

Last updated: 3/7/07

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Käthe Kollwitz and German Expressionism: Käthe Kollwitz (German, 1867-1945)

"Käthe Kollwitz and German Expressionism" features over fifty works by Käthe Kollwitz plus additional works by Ernst Barlach, Max Beckmann, Heinrich Campendonck, Marc Chagall, Lovis Corinth, Otto Dix, Conrad Felixmuller, Hans Fronius, Georg Grosz, Erich Heckel, Hannah Hoch, Wassily Kandinsky, Ernst Ludwig Kirchner, Paul Klee, Oskar Kokoschka, Ludwig Meidner, Edvard Munch, Heinrich Nauen, Emile Nolde, Max Pechstein, Georges Rouault, Rudolf Schlichter, Karl Schmidt-Rottluff, Siegfried Schott, Georg Tappert, Wilhelm Wagner, and others. (Look for additional images to be added as time permits; all works are available for purchase unless otherwise indicated.)

The Russians: Chagall / Sonia Delaunay / Goncharova / Larionov / Malevich
One of the greatest graphic artists of all time, Kollwitz, the granddaughter of a radical preacher and the daughter of a union organizer, a pacifist, a lover of childre, and a socialist, spent her life in an autocratic state which, whether rulerd by the Kaiser or the Nazis, hated everything for which she stood. Ther first woman to be elected professor at the Prussiian Academy, she lost her position as soon as Hitler came to power. The two prints above—Der Agitationsredner / The Agitator (Kl. 224) and Verbrüderung / Fraternal love (Kl. 199b)—seem to sum up the possibilities that Kollwitz foresaw for her country in the 1920s, either to follow those voices inciting hatred and setting each against the other or to find away for all to live together in loving harmony. Kollwitz's art shows us one who responded to her country's choice with anguished protest, as if this print might finally be the one to bring Germany back to her senses.
Verbrüderung / Fraternal love (Kl. 199b). Original lithograph, 1924. Edition: 400 signed impressions. A good impression with the remains of old paper-tape around the borders verso. A powerful image of the possibility of humanity's search for love as a relief from pain and oppression. Included in German Expressionist Prints & Drawings, 1989 (LACMA, p. 52). Images size: 235x170mm. Price Please call or email for current pricing information.
Der Agitationsredner / The Agitator (Kl. 224). Original lithograph, 1926. Edition: 25 signed impressions on Japan, 50 signed impressions on white Bütten, and an unsigned impression. Ours is one of the 50 on white Bütten. A powerful and painful study of the politics of the 1920s. Image size: 314x216mm. Price: Please call or email for current pricing information.
Self Portrait (Kl. 122 vii b). Original soft-ground etching and aquatint, 1912. Published in Johannes Sievers' 1913 Catalogue Raisonne of her etchings and lithographs. Ours is a signed impression. Klipstein lists only 30 signed impressions printed by Richter published in 1920, but Richter was also involved in the 1913 catalogue according to its title page. A beautiful rare signed impression. Image size: 140x99mm. Price: SOLD.
We do have a very good unsigned impression (Kl. 122 viie) printed in black ink available. Price: Please call or email for current pricing information.

Spaightwood Galleries, Inc.

To purchase, call us at 1-800-809-3343 (1-508-529-2511 in Upton MA & vicinity) or send an email to We accept AmericanExpress, DiscoverCard, MasterCard, and Visa.
For directions and visiting information, please call. We are, of course, always available over the web and by telephone (see above for contact information). Click the following for links to past shows and artists. For a visual tour of the gallery, please click here. For information about Andy Weiner and Sonja Hansard-Weiner, please click here. For a list of special offers currently available, see Specials.
Visiting hours: Noon to six Saturdays and Sundays; other times by arrangement. Please call to confirm your visit. Browsers and guests are welcome.