BBB seal
Click image for BBB rating
See our Privacy Policy
cool="cool" width="786" height="3752" border="0" cellpadding="0" cellspacing="0" gridx="16" showgridx="showgridx" usegridx="usegridx" gridy="16" showgridy="showgridy" usegridy="usegridy" bgcolor="#99ccff">
Click for BBB rating See our Privacy Policy

Welcome to Spaightwood Galleries, Inc.

120 Main Street, Upton MA 01568-6193

For more information or to purchase, please call 1-800-809-3343 or email us at

You can follow us on Facebook and Twitter!
Last updated: 6/23/2019
Home / Gallery Tour 1 / DADA and Surrealisn / Gallery Tour 2 / Artists
Gallery News

Lucien Coutaud (French, 1904-1977): Original prints and a drawing

Coutaud / Coutaud 2 / Coutaud 3

Arp / Bourgeois / Coutaud / Delvaux / De Chirico / Ernst / Fini / Giacometti / Hayter / Höch / Klee / Lam
Magritte / Masson / Matta / Miró / Picasso / Richier / Seligmann / Sutherland / Tamayo / Tanning/ Toyen / Wunderlich
Although Jean Adhémar (then curator of prints at the Bibliothéque Nationale, Paris), called Coutaud, "the most famous surrealist printmaker (Twentieth-Century Graphics, trans. Eveline Hart [London: Elek, 1971], 217), he remains less known than most of the other important artists associated with the movement. In Europe, however, the situation is quite different. with at least four books devoted to him and to his works. Coutaud was an important figure as a painter (over 1550 paintings), printmaker (more than 150 etchings, engravings, and lithographs), a designer of operas, theatre and ballet sets (17 productions); he contributed illustrations to many books including, most importantly, Gilbert Lély's Ma Civilization (Paris: Editions Maeght, 1947), and painted the cartoons for 29 tapestries. He was a Chevalier in the Legion of Honor, an Officer of the Order of Arts and Letters, and a founding member of the Salon de Mai. He won the Prix National Daumier de la gravure in 1952, the Grand Prix de Peinture de la Ville de Paris in 1967, and the Grand Prix de l'Institut des Beaux Arts in 1971. His work has been shown in galleries and museums in France, Belgium, Switzerland, Sweden, Japan, Italy, and the U.S.

Coutaud's art is frequently involved in depictions of sexuality. Adhémar reminds us that Coutaud "has often said that he cannot conceive of art without eroticism. . . . He sees eroticism in the whole of nature, and asserts that 'nothing looks more like a pair of buttocks than an apricot.' His art, which he himself has dubbed 'erotomagic,' has been fostered by his southern temperment, his admiration for Sade, and his acquaintance with the arcana of the print rooms, But he adds to eroticism an extraordinary feel ing for magic, which puts him in a class of his own" (217, 219). Coutaud's is not easy work; many of his post World War II prints depict life in a ruined landscape and have the ability to stir feelings of discomfort even while they present us with a world in which the erotic is frequently associated with suffering, with voyeurism, with violence. As Adhémar reminds us, "Eroticism is always subversive" (219), and Coutaud is a distinctly subversive artist. In The Artist and the Book in France, (London: Peter Owen, 1969), W. J. Strachan describes Coutaud's etchings as "characterized by an obsessive almost intellectualized eroticism, in which we move in in a kind of half-Freudian, half-Euclidean dream world. He adds, "In the Lély work, as in other later books, he moves equivocally between the world of fantasy and the cruelty of our own times" (p. 102).

Bibliography: Paul Claudel, Theatre France (Paris: Gallimard, 1966). Includes the plays Tete D'Or, Partage De Midi, L'Annonce Faite a Marie, L'Otage, and Le Soulier de Satin; contains 30 beautiful full-color illustrations by Andre Masson, Lucien Coutaud, and Felix Labisse; Jacques Lagarde et al, Retrospective Lucien Coutaud (Paris: Fondation Druout, 1989); Pierre Mazars, Lucien Coutaud, avec une biographie, une bibliographie,et un documentation complète sur le peintre et son oeuvre (Geneva: Editions Pierre Cailler, 1963); W. J. Strachan, The Artist and the Book in France (London: Peter Owen, 1969).

Prints: Pierre Cailler, Catalogue Raisonné de l'Oeuvre Gravé et Lithographié de Lucien Coutaud (Geneva: Editions Pierre Cailler, 1960); Jean-Marie Granier et al, Lucien Coutaud Gravures et Dessins dans les collections des Musée de la Ville de Nîmes (1989).
Woman and her reflection. Original pastel and ink drawing. Signed "Coutaud" lower right corner. Image size: 330x250mm. Price: Please call or email for current pricing information.
Normande (N. 104). Original etching, 1964. Edition 50 signed and numbered impressions. Image size: 114x88mm. Price: Please call or email for current pricing information.
Nîmes et Nimoise (N. 105). Original etching, 1964. Edition: 50 signed and numbered impressions. Image size: 114x88mm. Price: Please call or email for current pricing information.
Scene de theatre I. Original color lithograph, 1976. Edition 180 signed and numbered impressions (ours is an artist's proof annotated E.A.). Image size: 430x560mm. Price: Please call or email for current pricing information.

Spaightwood Galleries, Inc.

To purchase, call us at 1-800-809-3343 (1-508-529-2511 in Upton MA & vicinity) or send an email to
We accept AmericanExpress, DiscoverCard, MasterCard, and Visa.
We also accept wire transfers and paypal.

For directions and visiting information, please call. We are, of course, always available over the web and by telephone (see above for contact information). Click the following for links to past shows and artists. For a visual tour of the gallery, please click here. For information about Andy Weiner and Sonja Hansard-Weiner, please click here. For a list of special offers currently available, see Specials.

All works are sold with an unconditional guarantee of authenticity (as described in our website listing).

Go back to the top of this page.

Visiting hours: Saturday 10:00 am to 5:00 pm and Sunday noon to 6:00 pm and other times by arrangement.
Please call to confirm your visit. Browsers and guests are welcome.