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Last updated: 12-20-09
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Old Master Prints: Aegidius Sadeler (Netherlandish, 1570-1629)

Netherlandish Printmakers 16th-17th Centuries: Lucas van Leyden, Maarten van Heemskerck, Cornelis Cort
Philips Galle, Hans (Jan) Collaert, Adriaen Collaert, Karel de Mallery, Theodore Galle, Hendrik Goltzius
Julius Goltzius, Jacob Matham, Jan Sanraedam, Marten de Vos, Jan Sadeler, Aegidius Sadeler, Raphael Sadeler
Crispin de Passe, Magdalena de Passe, Wierix Brothers, Rembrandt, Rembrandt School, Jan Lievens, Jan Joris van Vliet,
Ferdinand Bol, Govert Flinck

Netherlandish School 15th-17th-Century Drawings / Flemish School, 17th-Century
Bernaert van Orley / Lucas van Leyden / Maarten de Vos / Jan Baptiste de Wael / Abraham Bloemaert
Peter Paul Rubens / Philipp Sadeler / Nicolaes Maes / Rembrandt School

North Italian Illuminated Manuscript / Italian School, 16th and early 17th-Century Drawings
Cherubino Alberti / Michelangelo Buonarotti (After) / Annibale Carracci / Parmigianino / Marcantonio Raimondi
Giulio Romano / Jacopo Palma il Giovane / Andrea Schiavone / Tintoretto / Titian (after) / Veronese / Federico Zuccaro

Italian School, 17th-Century Drawings / Drawings2 / Simone Cantarini / Domenichino / Guercino / Pier Francesco Mola

Italian School Printmakers, 15th-17th Centuries: Venetian School, c. 1500 / Raphael School / Giovanni Jacopo Caraglio
Marcantonio Raimondi / The Master of the Die / Anea Vico / Agostino Veneziano / Nicholas Beatrizet
Michelangelo Buonarotti (After) / Giulio Bonasone / Giovanni Battista Franco /Girolamo Fagiuoli / Cherubino Alberti
Titian (after) / Tintoretto (after) / Parmigianino / Giorgio Ghisi / Diana Scultori / Annibale Carracci / Ludovico Carracci
Simone Cantarini / Elisabetta Sirani / Gerolamo Scarsello

German Drawings: Hans Sebald Beham / Virgil Solis / Hans von Aachen / Johann Heinrich Roos

German 16th century printmakers: Heinrich Aldegrever, Jost Amman, Hans Sebald Beham, Hans Brosamer, Hans Burgkmair,
Lucas Cranach, Albrecht Durer, Albrecht Durer (After), Hans Holbein (After), Hopfer Brothers, Georg Pencz, Hans Schäufelein,
Virgil Solis, Wolfgang Stuber.
A member of the extremely talented Sadeler family, Aegidius Sadeler, along with his uncles Jan (1550-1600) and Raphael (1560-1632), is an artist whose role in the Dutch Mannerist School of the late 16th and early 17th centuries is coming to be seen as central to the efflorescence of Netherlandish printmaking of the period. Aegidius was appointed Imperial Printmaker to three successive Hapsburg emperors in Prague and Vienna and helped to spread the art of the Hapsburg Courts, and especially the artists of Rudolf II, particularly Hans van Aachen and Batholomeus Spranger, throughout Europe. Joachim von Sandrart, writing in the 1670s, 40 years of Aegidius' death, pronounced him "a phoenix among engravers" and recent critical studies of the period tend to concur. Aegidius was apprenticed to his uncle Jan, an important part of the Antwerp School (which also included Cornelis Cort, Philips and Theodore Galle, Jan and Adrien Collaert, and Jerome, Jan, and Anthonie Wierix), who produced many engravings after drawings by Marten de Vos and others for the publisher Christopher Plantin before becoming a publisher (along with his brother Raphael) himself. In the late 1580s, the family left Antwerp and went to Germany where Jan became printmaker to Duke Wilhelm V of Bavaria, working at his court in Munich. After visits from Hendrik Goltzius both on his way to Italy and on his return, Aegidius seems to have made the journey himself between 1591 and 1593 where, according to Limouze, he stayed inVenice, Verona, Rome, and perhaps Florence. In Rome he worked with Joseph Heintz, also one of Rudolf II's imperial painters, which may have led to Aegidius' own appointment at the court of Rudolf II in 1597.

Select Bibliography: K. G. Boon, ed. Hollstein's Dutch and Flemish Etchings, Engravings, and Woodcuts ca. 1450-1700: Volumes 21-22 Aegidius Sadeler to Raphael Sadeler II (Amsterdam: Van Gendt & Co., 1980); Dorothy Anne Limouze, Aegidius Sadeler (C. 1570-1629): Drawings, Prints, and Art Theory (Princeton, 1990); Dorothy Anne Limouze, Aegidius Sadeler, Imperial Printmaker (Philadelphia Museum of Art, 1989); Isabelle de Ramaix, The illustrated Bartsch 72: Aegidius Sadeler II (NY: Abaris, 1998); Isabelle de Raimaix, Les Sadeler: Graveurs et éditeurs (Bruxelles: Bibliothèque royale Albert I, 1992).
Judith and Her Servant with Holofernes' head (TIB 7201.001 S1/2; New Hollstein 1 i/ii). Engraving after Hans van Aachen, c. 1590. Printed on laid paper cut inside platemark. A very fine impression with several minor flaws: small tear into right edge just above the center, minor creasing lower right corner, light stain in area of inscription. Signed in the plate. Published by Jan Sadeler. Hans van Aachen was one of Rudollf II's court painters in Prague; Sadeler became the Imperial Engraver and one of the great print artists of the time. Image size: 292x203mm. Price: $2850.
The Adoration of the Magi (Hollstein 35). Engraving after Hans van Aachen. Printed on laid paper with small margins outrside the platemark all around. Illustrated in Dorothy Anne Limouze, Aegidius Sadeler, Imperial Printmaker (Philadelphia Museum of Art, 1989). Some staining top left. Signed in the plate. Image size: 213x160mm. Price: $1750.
The Holy Family with the censer. (Hollstein 78). Engraving after Hans van Aachen. Printed on laid paper with small margins outside the platemark on the top and sides. The text below the image has been trimmed away. Signed in the plate. Van Aachen's drawing for this print is in the Uffizi. Image size: 298x230mm. Price: $2250.
The Holy Family with St. Anne and Two Angels (Hollstein 79). Engraving after Hans van Aachen. Printed on laid paper with margins outside the platemark all around. Signed in the plate. Van Aachen's drawing for this print is in the Uffizi. A brilliant impression in very good condition. Image size: 292x219mm. Price: $2750.
The Circucision (Hollstein 85 i/vi before the publisher's name was added). Engraving after Joan Speccard. Printed on laid paper and mounted on a larger sheet of laid paper which is mounted on what seems to have been a page of an old collector's album with elaborately-ruled borders. Trimmed with platemark but outside of printed border. Signed in the plate "G. Sadeler sculp." A beautiful large engraving. Image size: 343x285mm. Price: $3250.
Angel with the Cross and an ointment jar (Hollstein 70). Original engraving for the Theatrum Passionis Christi, a portfolio of 8 engravings with Christ as the Man of Sorrows on the title page and angels with the instruments of the passion. Printed on laid paper with margins outside the platemark all around. Signed in the plate. Published by Marco Sadeler (active 1600-1650). Sadeler's drawing for this print is Antwerp. Image size: 154x108mm. Price: $1650.
Venus receiving gifts (Hollstein 110). Engraving after Bartholomeus Spranger. Printed on laid paper trimmed on or within the patemark. Signed in the plate. Image size: 281x190mm. Price: $2950.
Diana surprised by Actaeon (Hollstein 104) . Engraving after Paolo dei Francesco (Paulus Franck). Very good impression on laid paper with small margins; top left corner torn across platemark. Image size: 214x292mm. Price: $2650.
Rocky Landscape with the Stigmatization of St. Francis (Hollstein 212 i/ii) . Engraving after Jan Bruegel (son of Pieter Bruegel the Elder). Very good impression on laid paper with small margins of the rare first state. Image size: 205x273mm. Price: $2750.
Riverscape with 2 figures sitting under a tree (Hollstein 218 i/ii). Engraving after Jan Bruegel (son of Pieter Bruegel the Elder). Very good impression on laid paper and mounted on a larger sheet of laid paper which is mounted on what seems to have been a page of an old collector's album with elaborately-ruled borders. Trimmed with platemark but outside of printed border. Signed in the plate "Jan Bruegel inuenit: and "G. Sadeler sc" lower left of the rare first state. In the upper left of the sheet (not included in the photograph) it is annotated "Flamands 318" in black ink. Small paper losses lower and upper left corners. Image size: 202x267mm. Price: $2450.
Two Houses with Big Trees at the Right (Hollstein 237) . Engraving after Roelant Savery; published by Marc Sadeler. Very good impression on laid paper with small margins. Unidentified collector's mark center-right at bottom. Image size: 222x286mm. Price: $2750.

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