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German School, 16th Centuriy
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Albrecht Durer
Hans Aldegrever
Hans Sebald Beham
Virgil Solis
Bernaert van Orley
Lucas van Leyden
Hendrik Goltzius
Jan Baptiste de Wael
Venetian School, c. 1500: 2
Italian School, 16th-17th-Centuries
Italian School, 17th-Centuries
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Annibale Carracci
Federico Zuccaro
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Pier Francesco Mola

Spaightwood Galleries

Updated 1/15/02


Images of Women in Renaissance Prints and Drawings: Images from Ovid (Venice, c. 1500)—Apollo and Diana

These images offer a kind of baseline. More medieval than Renaissance, the mark a moment when readers and viewers are just turning to works like Ovid's Metamorphoses not for allegorized readings of classical texts as illustrating Christian mysteries as in the Old French Ovide Moralizé (both the verse version done in the 13th century or the prose version from the 15th century) but out of a renewed interest in the old stories themselves which, by the last third of the 15th century have become the basis for paintings by artists like Botticelli, Giovanni Bellini, and Andrea Mantegna, and which in the works of 16th-century Venetian masters like Titian, Tintoretto, and Veronese become the subjects of beautiful, powerful, and moving works of art.

Our images can be dated stylistically to an anonymous Venetian artist working for a humanest press in the first decade of the 16th century.

Venetian School, c. 1500. Apollo and Phaeton. Original woodcut, c. 1500, Venice. In the left foreground, Phaeton kneels before his father Apollo and begs to be allowed to drive the chariot of the sun. In the top right, we see the fatal consequences of his inability to control them: to save heaven and earth from being consumed by fire as the horses fly close enough to set palaces and fields on fire, Jupiter has blasted Phaeton with a thunderbolt. In the middle background, Phaeton's sisters, rush forward in grief at the sight of their brother's fall from the heights (they will be transformed into Cypress trees by their grief). Image size: 89x142mm. Price: $450.

Venetian School, c. 1500. Apollo and Daphne. Original woodcut, c. 1500, Venice. Apollo, the archer god, having fallen in love with Daphne, pursues her; she prays to be made unlovely so that Apollo will not want her, and is transformed into a laurel tree. Apollo, still in love with her, makes the laurel his chosen tree. Image size: 89x142mm. Price: $450.

Venetian School, c. 1500. Diana and Actaeon. Original woodcut, c. 1500, Venice. Actaeon, a hunter and one of Diana's worshippers, accidentally stumbles upon her while she is bathing (at left). In a fit of irritation, modesty, or a just rebuke in his presumption at seeing her naked, Diana sprinkles water on him and transforms him into a stag (a hart, if one wants to play with the image as Shakespeare does in the opening scene of Twelfth Night). He is then hunted down and eaten by his dogs (at right). Image size: 92x142mm. Price: $450.

Venetian School, c. 1500. Diana and Callisto. Original woodcut, c. 1500, Venice. Callisto, one of Diana's nymphs, is seduced by Jove, who approaches her in the shape of Diana (at left). Callisto becomes pregnant and, her pregnancy discovered by being forced to bathe with Diana and the other nymphs, is exiled by Diana (center). Callisto gives birth to a child which draws the ire of jealous Juno down upon her. Juno (at right) first beats her and then transforms her into a bear. Ultimately she and her son are stellified and become the constellations Ursa Major and Ursa Minor. Image size: 91x143mm. Price: $450.

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