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German School, 16th Centuriy
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Albrecht Durer
Hans Aldegrever
Hans Sebald Beham
Virgil Solis
Bernaert van Orley
Lucas van Leyden
Hendrik Goltzius
Jan Baptiste de Wael
Venetian School, c. 1500
Italian School, 16th-17th-Centuries
Italian School, 17th-Centuries
Raphael School
Annibale Carracci
Federico Zuccaro
Veronese School
Pier Francesco Mola

Spaightwood Galleries

Updated 1/18/02


Images of Women in Renaissance Prints and Drawings: Images from Ovid (Venice, c. 1500)—Venus, Medea, Hercules

These images offer a kind of baseline. More medieval than Renaissance, the mark a moment when readers and viewers are just turning to works like Ovid's Metamorphoses not for allegorized readings of classical texts as illustrating Christian mysteries as in the Old French Ovide Moralizé (both the verse version done in the 13th century or the prose version from the 15th century) but out of a renewed interest in the old stories themselves which, by the last third of the 15th century have become the basis for paintings by artists like Botticelli, Giovanni Bellini, and Andrea Mantegna, and which in the works of 16th-century Venetian masters like Titian, Tintoretto, and Veronese become the subjects of beautiful, powerful, and moving works of art.

Our images can be dated stylistically to an anonymous Venetian artist working for a humanest press in the first decade of the 16th century.

Venetian School, c. 1500. Venus and Mars caught in Vulcan's golden net. Original woodcut, c. 1500, Venice. In the left foreground, Apollo informs Vulcan that his wife Venus and Mars are doing the deed. Vulcan makes a golden net, catches them in the act, and leaves them as a spectacle for the other gods (among whom Neptune and his wife [with trident], Mercury with his winged hat, and Saturn [with his scythe] are visible. From the image, it is not clear if all this has had the effect of stopping Venus and Mars. Image size: 91x142mm. Price: $450.

Venetian School, c. 1500. Atalanta. Original woodcut, c. 1500, Venice. Atalanta, daughter of a king, is a brave warrior and an unbeatable runner. To those who wish to wed her, she offers a challenge. Beat her in a race and win her as a wife; lose and be killed. Hippomenes, Neptune's great grandson, falls in love with her and prays to Venus for her aid. Venus gives him three golden apples with which to distract her during the race so that he might win (top left).Victorious thanks to Venus' gift, he then fails to offer her prayers of thanksgiving at which the goddess of love, angered by this slight, fills them with desire so that as they pass the temple of Cybele, the mother of the gods (top right) they are overcome with passion and make love in her temple. Angered by this insult to her temple, Cybele turns them into lions (top center) and makes them pull her chariot. Image size: 91x143mm. Price: $450.

Venetian School, c. 1500. Medea. Original woodcut, c. 1500, Venice. For love of jason, Medea betrays her family an d her country and aids Jason in achieving the golden fleece. After he promises to marry her, she then renews the life of his aged father, draining out all of his old blood on the altars of Youth and Hecate and replenishing it with potions made from plants she had sought in her chariot drawn by winged dragons. (Subsequently, Jason betrays her to marry the daughter of a king and she murders thier children and his bride and departs.) The moral for Jason would certainly seem to be that one should never break promises with a powerful magician; the moral for Medea might be never trust the promises of Greeks. Image size: 87x143mm. Price: $450.

Venetian School, c. 1500. Hercules. Original woodcut, c. 1500, Venice. Hercules, seen at right with his club and his lion skin and above right on his funeral pyre. At left, Hercules is preparing to hurl Lichas, who innocently delivered the shirt of Nessus to him, causing his death, is about to be hurled into the air, precipitating his transformation into a reef. In the center rear there appears to be an entrance to the gate to the underworld. Image size: 91x143mm. Price: $450.

Venetian School, c. 1500. Preparations for a bridal night. Original woodcut, c. 1500, Venice. The subject here is uncertain, although Psyche's nuptials with the still absent Cupid seem most likely. Image size: 91x143mm. Price: $450.

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