Spaightwood Galleries, Inc.

Updated 1/27/08
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Richard Bosman (American, b. 1944)

Valerio Adami, Joan Gardy Artigas, Richard Avedon, Enrico Baj, Elizabeth Blackadder, Richard Bosman, Christo
Robert Cottingham, Allan D'Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Alex Katz, R. B. Kitaj, Nicholas Krushenick, Roy Lichtenstein, Richard Lindner, Claes Oldenburg, Peter Phillips, Mel Ramos, Robert Rauschenberg, Larry Rivers
James Rosenquist, George Segal, Jaune Quick-to-See Smith, Saul Steinberg, Andy Warhol, John Wesley, and Tom Wesselmann
A major figure in what has been called both new expressionism and the figurative expressionism movement, Richard Bosman's arresting images are often enigmatic and disturbing. He utilizes a single-frame, stop-action technique derived from both film and the comic strip. Many of Bosman's paintings and prints capture and freeze moments of fear and catastrophe. Rough, imperfect compositions and vivid textures give underlying emotional content both to his narrative and his more calm seascape subjects. Like his paintings, his prints are often drawn from popular sources such as comic books and and adventure novels, and present scenes from remembered or imagined stories. The images seem familiar and allow viewers to recognize just how much they have become part of modern life. Though these works present recognizable images, they are not particularly realistic, preferring to exaggerate for emphasis and to draw attention to their fictiveness. Rather than slices of life, they are life served up as a dessert or an appetizer.

In addition to the Elvehjem Museum, Bosman's works have been shown at the 1988 Venice Biennale, The Museum of Modern Art (NY), the Metropolitan Museum of Art (NY), The Walker Art Center (Minneapolois), The Toledo Museum of Art, the University of Maine Museum, the Brooklyn Museum, Vassar College (Poughkeepsie, NY), the University of Connecticut, Storrs, the Fairfield University Gallery (Fairfield, CT), the Rhode Island School of Design Print Gallery (Providence), the Mandeville Gallery, University of California, San Diego, the University of Michigan Museum of Art (Ann Arbor), Weber State College (Ogdon, UT), Washington University, St. Louis; University of Kansas, Lawrence, Tulane University (New Orleans), the Columbus Museum (Columbus, GA), The University of Illinois, Chicago, the Baltimore Museum of Art, the Neuberger Museum, Purchase, NY and the Fort Wayne Art Museum (Indiana); his works have also been shown in galleries in NY, San Francisco, London, Milan, Munich, Valencia, Madrid, Osaka, and Tokyo. His works are in the permanent collections of, among others, the Albright-Knox Gallery, the Bibliothèque Nationale (Paris), the Detroit Institute of Arts, the Metropolitan Museum of Art (NY), the Museum of Contemporary Art (Los Angeles), The Museum of Modern Art (NY), the Philadelphia Museum of Art, The Walker Art Center, the Madison Museum of Contemporary Art, and the Elvehjem Museum (Madison).

Bibliography: Andrew Stevens, Prints of Richard Bosman: 1978-1988 (Madison: Elvehjem Museum of Art, 1989).
Aground (Stevens 74). Original color serigraph, 1988. 120 signed and numbered impressions for the Madison Print Club plus 20 artist proofs printed at Tandem Press (University of Wisconsin). Despite all appearances, the paper the print is printed upon is actually white. Image size: 552x340mm. Price: $1150.
Flood (Stevens 75). Original 3-color woodcut from 3 blocks, 1988. 18 signed and numbered impressions on Tableau paper ( of which ours is 8/18) plus 3 artist proofs printed by Bill Weege at Tandem Press (University of Wisconsin). Tandem Press is currently listing an impression of this print on their website at $2000. Image size: 440x615mm. Price: $1800.

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