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Spaightwood Galleries

120 Main Street, Upton MA 01568-6193; 800-809-3343

Last modified 3-28-10
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Pierre Alechinsky (Belgium, b. 1927): Some Landscapes

Boxes / Central Park / Critters / Drawings / Faces / Grandes Marges / Hors Texte
Labyrinths / Landscapes / Screamers / Snakes / Transformations / Venice / Volcanoes
In the Chinese calendar, the Year of the Snake comes every twelve years. For Alechinsky, a founding member of COBRA (an acronym for the cities that contributed members to the group, Copenhagen, Brussels, and Amsterdam), the Year of the Snake can be an auspicious one. In 1977, also the Year of the Snake, Alechinsky was awarded the first Andrew W. Mellon Prize for Painting and executed one of the prints we are featuring, also called The Year of the Snake. In 1989, Alechinsky's Guggenheim retrospective which had been traveling in Europe for almost two years had finally come to its end, in 2001, we celebrated the Year of the Snake with a large show of Alechinsky's original prints and several drawings; in 2013, the Year of the Sanke will come again, but we have no intention of waiting until then. Only time will tellwhen, but time is whispering in our ears, why not in the fall of 2010 in a salute to Alechinsky's turning 81 (9x9, a number that probably has not significance whatsoever so far as Alechinsky is concerned). We are featuring lots of Alechinsky's favorite images: Central Park, snakes, volcanoes, gardens, dog-kings, smiling crocodiles and sea monsters, and people existing as best they can in a world that often seems to invite extreme emotional responses. (Sometimes you just want to scream!) Still, the central act of Alechinsky's art is the making of marks on a sheet of paper, on a canvas, on a copperplate, on a lithographic stone: for that is what distinguishes artists (visual or verbal) from destroyers.
Chute Blanche. Original color lithograph, 1977. 150 signed and numbered impressions. A very energetic image of nature mixing order and disorder. Handling crease at upper left margin (almost invisible when matted). Image size: 620x900mm. Price: $4500.
Arc en terre. Original etching with hand-stencilled watercolor, 1979. 60 signed and numbered impressions. One of Alechinsky's most sought after works. Image size: 560x450mm. Price: $4250.
Avignon (ML 1984, p. 21) Original color lithograph and etching, 1983. 120 signed and numbered impressions. One of Alechinsky's most beautiful prints. Image Size: 790x505mm. Price: $4750.
Tunnel (GL 32, 1989). Original color etching with pochoir, 1984. 75 signed & numbered impressions. Image size: 565x760mm. Price: $5000.
Corps et biens. Original color lithograph, 1978. 120 signed and numbered impressions. Image size: 535x358mm. Price: $2850.
Papier de mur (GL 42, 1989). Original color etching with pochoir, 1984. 75 signed & numbered impressions. Image size: 565x760mm. Price: $4500.
Pierre Alechinsky (Belgian, b. 1927), Frontiére naturelle / Natual border. Original color etching and aquatint on rice paper, 1976. 50 signed & numbered impressions plus 10 artist's proofs (of which ours is n. IV/X), all printed on handmade Taiwan paper. A very rare and beautiful example of Alechinsky's monumental etching work. Image size: 765x515mm. Price: $8500.
Chanps clos (M. 1981, p. 19). Original color etching and lithograph, 1980. 99 signed & numbered impressions. In the midst of a verdant green backsground a city, with highly defied boundaries (the etchings platemark separates it from the green surrounding it), but the green is clearly pushing at the city, like the Old Forest in Tolkien's Fellowship of the Ring and clearly has plans for a future takeover in mind. Image size: 900x630mm. Price: $6500.

For of a view of this work on one of our 13 feet high walls, see Gallery Tour 1.

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